Vocalist enthrals rasikas with Bharati’s songs at Tamil Isai Sangam music festival in Madurai

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Kashyap performing a vocal performance  organised by Tamil Isai Sangam astatine  Raja Muthaiah Mandram successful  Madurai connected  Tuesday.

Kashyap performing a vocal performance organised by Tamil Isai Sangam astatine Raja Muthaiah Mandram successful Madurai connected Tuesday. | Photo Credit: R. Ashok

Kashyap performing a vocal performance  organised by Tamil Isai Sangam astatine  Raja Muthaiah Mandram successful  Madurai connected  Tuesday.

Kashyap performing a vocal performance organised by Tamil Isai Sangam astatine Raja Muthaiah Mandram successful Madurai connected Tuesday. | Photo Credit: R. Ashok

The 5th time performance astatine the 51st day of Tamil Isai Sangam successful Madurai witnessed a full-fledged ‘Tamil Isai’ by Kalaimamani Kashyap to the accompaniment of Nella Ravindran connected violin and Salem K. Srinivasan on mridangam.

Commencing with Gambhira Nattai as raga for the Mallari, helium hailed Lord Ganesha ‘Jnana Vinayakane sharanam nallavane matrellam vallavane’ by Sharavanabhavananda.

Appreciating Annamalai Chettiar done a Virutam ‘Thillai pathi udayan,’ helium rendered ‘Pada vendume isaip-pavin’ in Hamsanaadam by M.M. Dandapani Desikar. The song explains that euphony is simply a dedicated and knowledgeable instrumentality to link to the divine and acquisition a profound spiritual journey.

Bharathiar, who envisioned a agreed India, escaped from hunger, poorness and constrictive home divisions, done his ‘Nallakalam varugudu’ successful Malayamarutham, was rendered by Kashyap inspiring the audience.

The main raga of the evening was Panthuvarali (known arsenic Sadari Pann), which witnessed a good elaboration bringing retired the almighty spiritual tendency and happiness for Ilango Adigal’s ‘Kundrak Kuravai’.

The violinist brought retired the nuances of the ragam precise well. The Tani that followed showcased the accomplishment and endowment of the mridangist.

Praying to Goddess Abirami for her blessings for a implicit beingness through Abirami Pattar’s ‘Kalayatha Kalviyum’ (viruttam), Kashyap rendered Ulundurpet Shanmugam’s ‘Madurai arasalum’ connected Goddess Meenakshi (a opus from the film Thirumalai Thenkumari and popularised by Madurai Somu) was applauded good and was a bully tribute to Seerkazhi Govindarajan.

The last pieces include ‘Thunbamnergayil’ by Bharathidasan successful Desh, ‘En appan allava’ by Papanasam Sivan successful Ragamalika, ‘Mannupugazh Kosalai’ by Kulasekarazhwar and Thirupugazh ‘Muthaitharu’.

The performance brought retired the richness of the Tamil connection wrong the operation of Carnatic music.

Published - December 24, 2025 07:01 p.m. IST

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