‘Ustaad Bhagat Singh’ movie review: Harish Shankar, Pawan Kalyan’s film is an incoherent bore

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Pawan Kalyan successful  ‘Ustaad Bhagat Singh’

Pawan Kalyan successful ‘Ustaad Bhagat Singh’ | Photo Credit: Special Arrangement

In 2012, erstwhile manager Harish Shankar teamed up with Pawan Kalyan for Gabbar Singh, an adaptation of Dabangg, it resulted successful a massy outing that capitalised connected the star’s nonchalant attitude. The movie entertained, adjacent if it did not interruption caller crushed successful storytelling. A batch has changed since past and the prima is present the lawman main curate of Andhra Pradesh. In Ustaad Bhagat Singh, the manager rehashes the outdated template of Gabbar Singh, and infuses it with a dense dose of ideology that powers the actor-politician today. The effect is simply a communicative that appears to beryllium randomly stitched unneurotic to tick a fewer boxes connected a checklist.

The communicative is strictly perfunctory. One doesn’t spell to a Harish Shankar and Pawan Kalyan movie expecting an out-of-the-box narrative. But then, adjacent instrumentality work warrants coherence successful storytelling. The movie begins with snapshots of a covert cognition arsenic governmental fortunes successful a State crook upside down, and goes backmost successful clip to unravel the root communicative of the protagonist.

Ustaad Bhagat Singh (Telugu)

Director: S Harish Shankar

Cast: Pawan Kalyan, Raashii Khanna, Sree Leela

Runtime: 154 minutes 

Storyline: It doesn’t matter.

A lad who grows up successful the jungle is adopted by the colony headmaster (KS Ravikumar). He is inspired by teachings of Bhagavad Gita and the communicative of Bhagat Singh. It’s a substance of clip earlier the guru names him Bhagat Singh. The guru, who chooses to stay a bachelor, is called upon to articulation authorities and service the radical of the State. He successful turn, makes the lad committedness that he, too, volition springiness up everything and articulation the enactment of work erstwhile asked to. This is conscionable 1 of the galore attempts to gully parallels to real-life references.

The enslaved betwixt this guru and the protagonist is the foil wrong which a communicative of a fearless bull plays out. The bull is connected a ‘clean and green’ mission. He decimates the nexus betwixt a cause cartel and governmental heavyweights, punishes perpetrators of intersexual assault, imparts pugnacious lessons to those who disrespect spiritual sentiments and the Indian Army. These events are narrated successful a disjointed and convenient manner. Take immoderate of these episodes distant and it volition not change the larger story.

The attraction of Ustaad Bhagat Singh is akin to the mainstream cinema of a decennary oregon 2 ago. Neither the penning nor the method departments bring successful thing new. Devi Sri Prasad tries to bash his spot with a fewer high-on-energy creation numbers and Thaman raises the decibel levels each clip Pawan Kalyan’s aura has to beryllium played up. The enactment sequences, too, are dated and look to beryllium hastily assembled connected the editing table. The hovering camera movements successful immoderate sequences lone adhd to the discomfort.

In a movie wherever the wide communicative becomes pointless aft a while, it’s not a astonishment that the pistillate characters are conscionable meant to beryllium decorative. If Raashii Khanna is shortchanged with a superfluous characterisation, Sree Leela’s does not emergence supra the chatty, bubbly trope. The therapy sessions featuring Raashii and Sree Leela’s vigor jockey enactment with the ‘gala gala with Leela’ enactment are written truthful lazily that they extremity up being annoying than amusing. The romance betwixt Sree Leela and Pawan Kalyan tries to springiness the communicative immoderate affectional depth, but the property spread is glaring.

In the aboriginal portions of the film, the overdose of pandering to spiritual sentiments sticks retired sorely. A sub crippled connected the lines of the ‘Nirbhaya’ incidental reeks of voyeurism, arsenic dialogues and visuals support cutting backmost to the gruesome incidental with a perpetual antheral gaze.

When the movie emphasises connected sindoor arsenic a motion to Operation Sindoor, we cognize that the makers are yet done with their checklist and the communicative volition beryllium wrapped up. Pawan Kalyan is formed successful a quality that helium tin enact with his eyes closed. Parthiban, Rao Ramesh, Gautami, Kamal Kamaraju and Srinath Maganti are among the respective actors who look without immoderate scope to marque an impression.

Ustaad Bhagat Singh ends up arsenic an illustration of a communicative that rehashes aged formula, heaps it with verbose governmental messaging and hopes that Pawan Kalyan’s monolithic instrumentality basal volition beryllium forgiving and thigh it up. His erstwhile outing, They Call Him OG, astatine slightest boasted of a chiseled benignant that made the movie watchable. This 1 is simply a trial of endurance. Even diehard fans merit amended successful the signifier of entertainment.

Published - March 19, 2026 02:28 p.m. IST

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