‘Two Women’ movie review: Canadian comedy is stuck in its past

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A inactive  from the film

A inactive from the film | Photo Credit: Special Arrangement

Remaking Claude Founier’s 1970 movie of the aforesaid name, Chloé Robichaud’s Two Women is a modern effort astatine rehashing a dated trope. It features unsatisfied women moving aimlessly astir their homes, seeking a solution to their loveless marriages. Robichaud, moving disconnected Catherine Léger’s screenplay, is incapable to present a caller capable solution to this elemental problem. Unfortunately, for Robichaud and Leger’s film, the root worldly makes its beingness felt successful a mode that overpowers immoderate caller ideas.

Violette (Laurence Leboeuf), a young parent to an babe finds herself struggling unsocial done the monotonous, tiring post-partum routine. With her salesman hubby Benoit (Félix Moati) ever distant to immoderate convention, Violette turns to her neighbour adjacent doorway – Florence (Karine Gonthier-Hyndman). A pistillate looking to escaped herself from her anti-depressants, Florence occupies a akin level arsenic Violette’s successful the humble co-op. Living on with her longtime fellow David (Mani Soleymanlou), and their 10-year-old son, Florence is speedy to lukewarm up to Violette arsenic the 2 women enslaved implicit the constraints that monogamy, disinterested husbands, and needy children person enactment connected their idiosyncratic pleasure.

Published - April 25, 2026 05:17 p.m. IST

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