5 months ago
1
The 2nd time of the 51st day of Tamil Isai Sangam witnessed a unsocial creation play by Kalai Ilamani S. Sruthi’s (granddaughter of R. S. Manohar) Natya Natha Nataka Sangamam‘ Agni pravesham (Agnipariksha/trial by fire, a mythical Hindu practice).
The communicative was penned by Karaikudi Narayanan and directed by S. Sruthi. It is about an eight-year-old lad calved and raised abroad, Dilip (Param Veer Singh), coming to Tamil Nadu with his father. During the stay, he is awakened arsenic to his erstwhile commencement arsenic Narayanan (Swaroop) and speaks successful fluent Tamil. He wants to spell to his woman (in his erstwhile birth) Janaki’s (Sruthi) house successful Nageswaram, Kumbakonam.
Upon going there, helium finds Janaki with her begetter Shankaraiyar (S. Shivpprasadh) and family, facing batch of issues. He speaks and interacts with them intimately and solves each their problems with the assistance of his begetter viz Muthuraj (Ganesa Kaliyamoorthy).
When asked who helium is, helium says, helium is Narayanan, who had no income and lived solely for music. At 1 point, owed to intelligence distress, helium had died by suicide. Everyone dilatory realises that Narayanan (Janaki’s husband) has been reborn arsenic Dileep. As they were trying to atone for their actions, the lad transforms backmost into Dileep, asks successful English, “Yes, wherever americium I?”, and instantly leaves for America.
Sruthi displayed her dancing talent as the protagonist arsenic she returns successful her sister’s (Shobana) character to perform a creation for jaya jaya shankara, (song from the movie Damarukam connected Lord Shiva).
The acting of Paramveer Singh as Dileep, Sruthi arsenic Janaki and Shobana was good applauded by audience. The surface play with caput boggling dialogues similar “don’t insult creation and artist, it is not “ahangaram” but getting “angeeharam,” Saraswati and Lakshmi volition not beryllium together, each tin deterioration Sathangai but lone woman tin deterioration Thali, wealth is everything, accommodation is much important made the play precise unique.
S. Padmanabhan
