Rani Mukerji interview: ‘Self-preservation is important for an actor’

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Rani Mukerji

Rani Mukerji | Photo Credit: Special Arrangement

It is simply a breezy wintertime day successful Mumbai. The prima shines agleam connected Juhu Beach. From a immense model connected the the seventh floor, the serene bluish of the oversea is visible. “It is rather a view,” I remark, looking astatine the vastness arsenic Rani Mukerji smiles portion taking a spot connected the sofa seat opposite. Her bureau abstraction has a quaint charm.

The histrion is gearing up for the merchandise of Mardaani 3, wherever she returns arsenic apical bull Shivani Shivaji Roy. Shivani has been battling personified evils successful the thriller franchise, close from the archetypal part, wherever she locked horns with the menacing kid trafficker played by Tahir Raj Bhasin. The sequel, which came retired successful 2019, saw her chasing a psychopath who brutally assaults and murders women. Mardaani 3 takes the baton ahead, exploring akin themes with fashionable appeal. Together, the films spark a burning interest for women’s information successful India. Rani says that Mardaani was calved retired of the corporate angst experienced successful the aftermath of the heinous 2012 Delhi pack rape.

Rani Mukerji successful  ‘Mardaani 3’

Rani Mukerji successful ‘Mardaani 3’ | Photo Credit: Special Arrangement

“It was my mode of showing my choler arsenic an artiste. So, Mardaani is an important movie with important societal messaging; it is not conscionable a franchise. It is astir making radical uncomfortable, to marque them realise that we should beryllium speaking astir this contented much often. I privation to support coming backmost with this connection arsenic the world for women has inactive not changed from the clip we made Mardaani successful 2014,” says Rani, leaving a thought: tin films similar Mardaani truly pb to societal transformation? The histrion takes a infinitesimal to ponder. “I don’t cognize astir that. But it’s astatine slightest capable to commencement a conversation. If a movie tin adjacent alteration 1 person, that is simply a large thing,” she says.

The Mardaani films are known for their sedate themes and unflinching depiction of unit against women. Rani says that it is hard to sprout for these scenes. “As a parent and arsenic a woman, these are disturbing topics. We cognize that arsenic women, we are made to consciousness uncomfortable successful assorted situations. So, a batch of times, portion filming, we person to get profoundly progressive successful a country to get it right. Sometimes, erstwhile the country is done, it feels horrific to deliberation astir however each of this is happening successful reality. You consciousness helpless. We are inactive simply enacting these scenes, but determination are girls retired determination experiencing each this on with mothers going done pain,” Rani says.

Rani Mukerji successful  ‘Mardaani 3’

Rani Mukerji successful ‘Mardaani 3’ | Photo Credit: Special Arrangement

Mardaani is besides among the archetypal female-led franchises successful a state wherever male-led spectacles reign high. Rani, however, refuses to look astatine the script successful specified binaries. “I don’t deliberation the assemblage sets retired to ticker a movie reasoning that it is male-led oregon female-led. What matters is the communicative being told, irrespective of the sex of the protagonist. We request to alteration that narrative. We request to presumption films based connected contented truthful that the audiences springiness america the container bureau reception that the movie deserves,” Rani says.

The histrion has seen a big of container bureau successes and failures successful her 30-year-long career. There are those that worked well— Bunty Aur Babli (2005), Hum Tum (2004), Saathiya (2002) and Hichki (2018)— and those that missed the mark— Thoda Pyaar Thoda Magic (2008), Dil Bole Hadippa! (2009), Calcutta Mail (2003) and Laaga Chunari Mein Daag (2007). Box bureau setbacks interaction her the aforesaid mode arsenic before. “I deliberation it affects maine much than it did erstwhile I made my debut. If it doesn’t impact me, past I should not beryllium doing much films,” she says. “It is yet the container bureau that makes an histrion travel alive. How are you going to stay a prima if the assemblage is not giving you adulation? We cannot stay stars successful isolation.”

And so, it is the emotion from the assemblage that immensely carries worth for Rani. Last year, she won her archetypal National Film Award for Best Actress for her show successful Mrs. Chatterjee vs Norway (2022). She notes the value of the honour portion maintaining however she relates to her Chinese zodiac motion of a horse. “I person my blinkers on. I person to support doing my champion irrespective of whether I triumph an grant oregon not. For me, it was heartening to spot my fans happy. Their emotion for maine has been constant,” she says.

These days, Rani is funny to observe the watching patterns of the young. She strives to recognize their gaze. “What I person realised is that the younger clump enjoys nostalgia. They are glued to it, remaining connected to what we did 15-20 years ago. In a way, they person kept our older films alive,” Rani says.

That’s what helps her successful choosing her projects, knowing what volition link with people. The histrion considers it a “great responsibility” to proceed to entreaty to the audience. “ They person to springiness their clip to me. So, I person to enactment connected myself and instrumentality attraction of myself to beryllium capable to look bully on-screen. Self-preservation is precise important for an actor,” she signs off.

Published - January 19, 2026 03:47 p.m. IST

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