Rajinikanth’s ‘Kochadaiiyaan’ set for an AI-remastered version

Rajinikanth’s Kochadaiiyaan (2014), India’s archetypal photorealistic question seizure movie, is acceptable for an AI-driven reimagined version. The inaugural is portion of Ero’s Innovation’s Eros Remastered project.

Eros has announced a contented slate built astir 3 initiatives: Eros Brahmand, a caller mythology-inspired cinematic universe; Eros Universe, which expands immoderate noted Indian titles into franchise stories, and Eros Remastered, a programmed aimed astatine reintroducing well-known films to a caller generation.

The remastered mentation of Kochadaiiyaan “will beryllium done nether the originative enactment of manager Soundarya Rajinikanth”, said Eros successful an authoritative property release. The movie besides stars Deepika Padukone, R Sarathkumar, Nassar and Shobana.

Under Eros Universe, six films volition proceed done caller stories and characters. The lineup includes Tanu Weds Manu – The Next Chapter, Phobia, English Vinglish, Desi Boyz, Rangeela, and Tere Naam. According to Eros, these titles volition beryllium expanded crossed films, animation, microdramas, and character-led content.

Eros Brahmand is simply a mythology-based cinematic beingness comprising 9 archetypal titles: Nandi – War of Kailasa, Dwaarka: Gateway to the Universe, Vimaan Wars, Mahabharat 5000 A.D., Yakshinis, Brahmarakshak, Garuda, Kumbhayanna, and Mansa Devi. “Together, the projects volition signifier an interconnected storytelling beingness inspired by Indian mythology and folklore,” said the release.

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Tanu Weds Manu – The Next Chapter is directed by Mitakshara Kumar (Heeramandi, The Empire) and co-produced with Rudrak Soma Jyoti Limited. The movie is slated to spell connected floors successful 2026.

Commenting connected the announcement, Kishore Lulla, Founder and Chairman, Eros Innovation, said, “We are bringing unneurotic archetypal mythology-inspired stories, beloved movie titles, and classical cinema nether 1 umbrella. Our purpose is to make stories that tin prosecute audiences crossed generations and formats.”