A agelong Serbian face, an unflinching stare, lips that look to clasp backmost much than they release, Marina Abramović is simply a beingness that stills a room. Now entering her 80th year, she is often described arsenic the “grandmother of show art”, shorthand for a vocation spent utilizing her ain assemblage arsenic some mean and method, repeatedly investigating however overmuch a quality being tin endure, physically, psychologically and emotionally. Abramović, whose works are featured successful the sixth Kochi-Muziris Biennale, volition beryllium successful Kerala for a lecture successful February. Another assemblage of enactment of hers volition beryllium presented by Saatchi Yates, the London-based gallery, astatine the India Art Fair successful New Delhi.
Abramović emerged successful the 1970s with confrontational works that dismantled the passive relation of the viewer. In Rhythm 0 (1974), she stood motionless for six hours portion the nationalist was invited to usage 72 objects connected her body, from a feather to a loaded gun, exposing however rapidly spectators could go complicit successful unit erstwhile authorization went unchecked. In the 1980s, moving with her spouse Ulay, the enactment shifted towards affectional endurance. In The Lovers (1988), the brace walked from other ends of the Great Wall of China to conscionable successful the mediate and extremity their relationship.
The 1990s marked a crook towards past and corporate trauma. In Balkan Baroque (1997), presented astatine the Venice Biennale, Abramović scrubbed bloody cattle bones portion singing people songs, responding to the wars that followed the breakup of Yugoslavia. By the 2010s, extremity had fixed mode to stillness. In The Artist Is Present (2010), staged astatine the Museum of Modern Art (MoMA), she sat silently for astir 3 months, gathering the regard of visitors who often near successful tears, anger, oregon quiescent confession.
Less often acknowledged is however profoundly her signifier has been shaped by disciplines beyond occidental creation history. Over decades, Abramović studied Aboriginal civilization successful Central Australia and Tibetan Buddhist practices successful monasteries crossed India, absorbing rituals of repetition, fasting, meditation and endurance. During 1 extended visit, she recorded Tibetan monks chanting the Lotus Sutra (one of the astir venerated sutras of Mahayana Buddhism).
In Waterfall (2003), a monumental installation present connected presumption astatine the Kochi-Muziris Biennale, their voices and faces are layered into a continuous cascade, creating a calming ambiance for those who beryllium successful its presence. Alongside it, the Marina Abramović Institute is presenting an archive of films, drawings and performances since its founding successful 2007. The show creator volition besides present The Past, Present, and Future of Performance Art, a lecture reflecting connected her vocation and however show has evolved arsenic a form.
In an email interrogation up of her visit, Abramović reflects connected India arsenic a spiritualteacher, and connected why, successful what she describes arsenic a infinitesimal of taste exhaustion, she believes creation tin inactive constituent towards a future. Excerpts:

Marina Abramović astatine the Serpentine Summer Party 2024 successful London, England. | Photo Credit: Getty Images

Waterfall by Marina Abramović, a three-channel video projection, KMB 2025-26. | Photo Credit: Courtesy of the Kochi Biennale Foundation
What has India meant to you personally, artistically, and spiritually?
Personally, India has been a large teacher. It has helped maine recognize the temporality of our beingness connected this planet. Artistically, it holds an extraordinarily analyzable humanities and taste heritage; it’s an endless root of inspiration and learning for my practice. Spiritually, India helped maine link caput and body, and to recognize compassion, forgiveness, and the karmic ellipse of life.

Do you retrieve your archetypal brushwood with the country?
Very clearly. My archetypal travel to India was successful 1979, erstwhile I landed successful Delhi. All I wanted was to spell instantly to Bodh Gaya, the tract wherever Siddhartha Gautama [Buddha] is believed to person attained enlightenment nether the Bodhi Tree. I spent 3 months there.
Bodh Gaya past was fascinating: afloat of temples, teachings, meditation centres, ceremonies, and teachers offering seminars constantly. It was 1 of the cardinal planetary gathering points for Buddhist practitioners from Tibet, Southeast Asia, and the West successful the decades pursuing the Tibetan diaspora.
After that archetypal journey, I returned to India galore times, travelling and staying successful monasteries passim the country, peculiarly successful Himalayan regions. I telephone these probe trips. I came to larn done lived practice, transportation and acquisition alternatively than content alone.


Marina Abramović Archives, KMB 2025-26. | Photo Credit: Courtesy of the Kochi Biennale Foundation
After much than 5 decades of performance, what has the assemblage taught you astir being human?
Living a agelong beingness has benefits, you person clip to cod wisdom. I learnt however to unrecorded successful the present, present and now. The assemblage is wherever cognition accumulates, not conscionable the mind.
Performance creation is often described arsenic occidental successful origin. How bash you spot its aboriginal now?
Western civilization is exhausted. It’s indispensable to person caller points of view, which different cultures tin bring. Performance volition ne'er die. It perpetually changes, similar a phoenix, burning and being reborn from its ain ashes. The lone happening I cognize for definite is that Instagram is not art.

Waterfall by Marina Abramović, a three-channel video projection, KMB 2025-26. | Photo Credit: Courtesy of the Marina Abramović Archives 2000-2003

What does it mean for you to beryllium portion of the Kochi-Muziris Biennale, nether Nikhil Chopra’s curation?
I met Nikhil Chopra erstwhile I was curating Marina Abramović Presents successful Manchester successful 2009. It was a large accumulation dedicated to show art, bringing unneurotic artists whose practices demanded sustained carnal and intelligence committedness from some performer and viewer. Nikhil presented a unrecorded show that unfolded implicit respective days. He stayed successful the abstraction for agelong stretches of time, dressed arsenic a character, dilatory drafting ample charcoal self-portraits. Visitors could travel and go, watching the enactment alteration time by day. I discovered a talented, charismatic creator and a compelling performer. One of the main reasons I accepted this invitation is that it is being curated by him, an artist.

Marina Abramović Archives, KMB 2025-26. | Photo Credit: Courtesy of the Kochi Biennale Foundation

Waterfall by Marina Abramović, a three-channel video projection, KMB 2025-26. | Photo Credit: Courtesy of the Marina Abramović Archives 2000-2003

In a satellite that feels progressively unstable, what relation indispensable creation play today?
I don’t marque consciousness of the satellite we’re surviving in, and I don’t deliberation anyone genuinely can. Art has to beryllium the oxygen of our lives. It feeds our spirit. Art indispensable assistance quality spirits but besides inquire the close questions. Some large creation tin adjacent foretell the future.
What proposal would you springiness young artists now?
Follow your heart. Be existent to yourself. Don’t compromise for the creation market. Don’t overproduce.
And finally, what keeps you hopeful?
Life is simply a miracle. We should unrecorded afloat each time and beryllium blessed to beryllium portion of this cosmic play.

Marina Abramović Archives, KMB 2025-26. | Photo Credit: Courtesy of the Kochi Biennale Foundation

Waterfall by Marina Abramović, a three-channel video projection, KMB 2025-26. | Photo Credit: Courtesy of the Kochi Biennale Foundation
Marina Abramović volition present a lecture connected February 10, from 6-8 p.m., astatine the Kochi-Muziris Biennale. The venue (Fort Kochi oregon Willingdon Island) and summons details volition beryllium announced soon connected the Biennale website. The lecture volition accommodate astir 1,000 people.
The interviewer specialises successful reporting connected art, plan and architecture.

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