Mahalakshmi Ravishankar impressed with her evocative performance

Under the auspices of Sri Parthasarathy Swamy Sabha, Mahalakshmi Ravishankar gave a solo show astatine R.K. Swamy Auditorium. Having started her tutelage nether Archana Mahesh, Mahalakshmi continued to bid nether Janane Sethunarayanan, a disciple of Anitha Guha.

 Mahalakshmi commenced her show with Thodayamangalam successful Ragamalika, Talamalikai.

Under the auspices of Sri Parthasarathy Swamy Sabha, Mahalakshmi Ravishankar gave a solo show astatine R.K. Swamy Auditorium. Having started her tutelage nether Archana Mahesh, Mahalakshmi continued to bid underJanane Sethunarayanan, a disciple of Anitha Guha.

Mahalakshmi commenced her show with Thodayamangalam successful Ragamalika, Talamalika.

Mahalakshmi brought retired the symptom and longing of the viraha nayika, who feels distressed owed to the separation from her lord, successful the Bhairavi varnam ‘Nandagopalanai vara cholladi sakhiye’ by Periyasami Thooran acceptable to Adi tala. She brought retired her devotion for Krishna successful this piece. The series of theermanams that embellish the varnam was executed effortlessly by the dancer.

Next successful enactment was the all-time favourite ‘Chinnanjiru kiliye’ by Bharatiyar successful ragamalika acceptable to Tisra Adi. This is 1 of the celebrated verses by the Tamil poet, which person been interpreted otherwise by antithetic dancers. Mahalakshmi recreated Anitha Guha’s choreography depicting vatsalya bhava, bringing retired the unconditional emotion of a parent for her child.

She concluded her recital with a thillana by Poochi Srinivasa Iyengar, successful raga Sankarabharanam and choreographed by Adyar Lakshman.

The orchestra, consisting of Hariprasad Kaniyal (vocals), Kalaiarasan Ramanathan (violin), Ramshankar Babu (mridangam), and Janane Sethunarayanan (nattuvangam) enriched the performance.