’Madurakala Praveena’ conferred on veena artist Jayanthi Kumaresh

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Jayanthi Kumaresh performing astatine  the euphony  festival astatine  Sri Sathguru Sangeetha Samajam successful  Madurai.

Jayanthi Kumaresh performing astatine the euphony festival astatine Sri Sathguru Sangeetha Samajam successful Madurai. | Photo Credit: G. MOORTHY

Paying affluent tributes to the Sri Sathguru Sangeetha Samajam for its work successful promotion of creation and culture, the Additional Solicitor General of India N. Venkataraman said that the instauration would beryllium celebrating its 75th day adjacent year.

Speaking astatine the 74th day celebrations, helium conferred the ‘Madhurakala Praveena’ rubric connected veena vidhushi Jayanthi Kumaresh.

In his address, Mr Venkataraman explained the nexus of Carnatic euphony and Sanatana dharma done Sama veda, Bhakti yoga, Karma yoga and Gnanamarga respectively.

The main impermanent besides presented “Madhurakala Mani” connected Mrudanga vidwan Valangaiman K Thiagarajan and presented currency grant connected thavil vidwan V. Chellappa connected the occasion.

Samajam Secretary S. Venkatanarayanan welcomed. Secretary L. Rajaram work the citations and Treasurer G. Sivaraman projected a vote of thanks.

The awardees, successful their acceptance speech, thanked the Samajam and the House of TVS for their sustained enactment to the euphony and musicians.

Later, the veena artist, with Kumaresh connected the Violin, Jayachandra Rao connected Mridangam and Tiruchi Krishnaswamy connected the Ghatam commenced with a Nattakurinji (melodically affluent raga) in ragapravaham format, highlighting its devotional quality and specific swaras (notes).

Majority of melody flew done the Violin. They past played an affectional scope of Kalyani ragam and brought tranquillity and devotion (Bhakthi) for Muthuswamy Dikshitar’s “ganapathi mahamate gauri” successful roopaka thal.

The adjacent portion was Shyamasastri’s sari evaramma amba” in bhairavi. They brought successful the profound affectional depth, versatility and spiritual resonance of the kriti.  The RTP successful vadya pravah format was highly improvisational that allowed all musicians to show the afloat scope of their talent, creativity and cognition of ragas.

The last numbers include Agastyar’s “Sree chakra raaja” successful raagamaalika, a Thillana in kapi ragam and “Kamakshi loga sakchi” by Shyama Shastri in madhyamavati.

The rasikas enjoyed an absorbing and awesome concert.

Published - January 11, 2026 09:25 p.m. IST

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