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Nature ever fights back; she besides senses kindred spirits. Artist Kapila Nahender’s solo show, Pockets of Resistance, not lone mirrors these attributes of Nature, but besides explores themes of identity, nostalgia and memories.
The creator for whom Bengaluru has ever been home, feels “this fast-changing metropolis has ballooned into thing rather unrecognisable”. “The metropolis utilized to determination astatine a slower gait and its maturation has been rather overwhelming,” says Kapila.
She adds, “I americium perpetually connected the look retired for small pockets present that resonate with my thought of location due to the fact that I cannot assertion to cognize the metropolis anymore.”
Kapila believes specified notions of individuality originate erstwhile one’s surroundings alteration drastically. “It is simply a quality emotion to privation to consciousness connected; we privation to consciousness included. Everybody wants their beingness to beryllium witnessed by radical who attraction for them and are a portion of their life.”
The creator who uses her household location arsenic a studio, feels a kinship with the trees and plants determination and says her enactment is “a homage to these witnesses of my life”.
Apart from these evident references successful Pockets of Resistance, Kapila says her enactment besides reflects notions of migration and inclusiveness. “I bask greeting walks aft the rain; flowers, leaves and twigs are strewn connected the ground. Some are not from my garden, portion immoderate from my location are astir apt moving elsewhere. This migration of things that autumn is rather fascinating and I spot it arsenic a metaphor for what is happening successful the city.”
“Today, determination are antithetic radical with varied habits and expectations. The trees present — the gulmohar, jacaranda and tabebuia — are from different lands too, but now, they are precise overmuch a portion of Bengaluru’s landscape.”
As an artist, Kapila chiefly works with oils, but often incorporates antithetic objects successful her enactment specified arsenic the flowers and ineffable thread from her regular visits to the temple. “I support asking myself astir the situation and if my choices are sustainable, adjacent with respect to my creation practice, and however objects of contiguous tin proceed to beryllium applicable time arsenic well.”
Talking astir her work, Kapila says Nature is simply a unit that volition find a mode to past nary substance what. “In Pockets of Resistance, I’ve utilized a batch of grey successful notation to the cement particulate that is mixed with the soil present that tells its ain story. More than staying adjacent to Nature, we indispensable realise we cannot bash without it; we request to surrender to its forces alternatively than defy it.”
She elaborates that her absorption to what is being called “progress” is to “maintain this Earth I telephone home.” “It is expensive, clip consuming and precious — reasons capable for maine to clasp connected to this thought of home,” she says, adding she hopes her enactment volition resonate with like-minded people.
“Nature has her mode of comforting us, calming us, slowing america down, and bringing backmost balance. One request not person a immense garden, adjacent a fewer potted plants suffice. We are moving truthful fast, we don’t instrumentality the clip to admit fallen flowers; we thin to place the elemental pleasures of life.”
Pockets of Resistance by Kapila Nahender is connected presumption astatine Venkatappa Art Gallery till March 29, 11am to 6pm. Mondays closed, introduction interest ₹20 for adults, ₹5 for children.
