How marketing strategies and design interventions can empower tribal artisans

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Tribal art, successful India, has ever been an integral portion of life, inseparable from seasonal changes and festivities. Paintings are recovered connected mud walls aft a harvest, etched connected floors during festivals, formed successful metallic for rituals, woven from wood fibre, shaped from world and bamboo. The colours utilized travel from soil, leaves and stones; the motifs from birds, animals, crops, ancestors and mundane memory. The process is labour-intensive and profoundly connected to the ecology.

Tribal creation was ne'er meant to beryllium decorative alone, it has ever been a mean of storytelling, carrying the voices and stories of the communities. For instance, successful Warli paintings (from Maharashtra), quality figures are depicted successful circles, symbolising cultivation cycles; Gond creation from Madhya Pradesh draws from stories of forests and spirits; portion Sohrai murals successful Jharkhand observe cattle, fertility and seasonal change.

Gond creation  from Madhya Pradesh are drawn from stories of forests.

Gond creation from Madhya Pradesh are drawn from stories of forests. | Photo Credit: Special Arrangement

Celebrating this diverseness of tribal ocular creation is the ongoing Tribes Art Fest (TAF) 2026 at Travancore Palace. Organised by the Ministry of Tribal Affairs successful collaboration with the Federation of Indian Chambers of Commerce & Industry (FICCI) and the National Gallery of Modern Art (NGMA), the 12-day festival brings unneurotic much than 75 tribal artists and implicit 1,000 artworks representing much than 30 tribal creation traditions. Open to the nationalist until mid-March, the accumulation is an exhaustive showcase of tribal ocular culture.

The amusement presents an awesome show of artworks. Besides Warli and Gond determination are Bhil works from cardinal and occidental India; Dokra metallic casting from West Bengal, Chhattisgarh, and Odisha, Saura paintings from Odisha, Kurumba creation from Tamil Nadu, Bodo textiles from Assam and bamboo crafts from the North-East. Mandana level designs, Godna tattoo-inspired motifs and Sohrai murals adhd further richness to the exhibition.

Northay Kuttan says Toda embroidery is simply a accomplishment  mastered mostly   by women.

Northay Kuttan says Toda embroidery is simply a accomplishment mastered mostly by women. | Photo Credit: Special Arrangement

TAF is much than conscionable a showcase. The Ministry has emphasised that the festival aims to make just marketplace conditions and nonstop linkages betwixt the artists and buyers, collectors, galleries and institutions.  

Toda embroidery is simply a unsocial   creation  form, which is mastered mostly   by women.

Toda embroidery is simply a unsocial creation form, which is mastered mostly by women. | Photo Credit: Special Arrangement

The dialog astatine TAF besides extends to shedding airy connected the embroidery, practised by the Toda assemblage from the Nilgiris successful Tamil Nadu. Northay Kuttan, a subordinate of the Toda Adivasi assemblage and the president of the Nilgiri Primitive Tribal People’s Federation, said, “The Toda radical are an indigenous assemblage with a colonisation of lone 1,428. Out of these, 480 radical are progressive successful embroidery, a accomplishment mastered mostly by women. This embroidery is simply a unsocial creation signifier wherever floral patterns are handcrafted connected a achromatic fabric cloth utilizing achromatic and reddish woollen threads. There are implicit 580 patterns, inspired by Nature.”

Northay adds that Toda artisans are encouraged by the varied schemes offered by the government, and Toda embroidery is displayed and sold astatine galore exhibitions organised by the government. “Although the trade has gained popularity worldwide owed to its GI status, the assemblage itself hasn’t benefited much, arsenic outsiders bargain and merchantability it for profit. However, things are opening to change. TRIFED purchases and sells the pieces Tribes India shops, boosting the livelihood of the community.”

Oraon artwork by Sumanti Bhagat.

Oraon artwork by Sumanti Bhagat. | Photo Credit: Special Arrangement

One of the highlights this twelvemonth is Project Khum — Rooted successful Creativity, conceptualised by Jai Madaan successful collaboration with tribal women artists. ‘Khum’ meaning angiosperm successful Kokborok (Tripura), symbolises blossoming. The installation invites women artists to collectively alteration a shared ocular operation with their ain motifs and colours. Timed astir International Women’s Day, the task places accent connected women’s enactment and creativity wrong tribal communities. 

In galore ways, festivals specified arsenic TAF service a dual purpose. They make visibility for creation forms that are often geographically distant from municipality centres, and besides bring attraction to the economical realities down them. Another renowned artisan, Suresh Pungati, from the Naxal-hit colony successful the Gadchiroli territory successful Maharashtra, says earthy material, branding, finishing and selling stay a situation for the artisans. Suresh, who practices Dokra metallic art, has established Devrai Art Village successful Panchgani to alteration artisans to imbibe caller plan sensibilities into their creation form. For the festival, Suresh has brought works that blend brass and stone. 

An artwork by Suresh Pungati.

An artwork by Suresh Pungati. | Photo Credit: Special Arrangement

“Festivals specified arsenic these springiness america an accidental to interact straight with the buyers, designers and get ideas connected packaging and selling our work. I consciousness we volition payment much if radical travel to our colony and spot unrecorded demonstrations of the creation work. We besides would similar to acceptable up a depository and a assemblage and behaviour workshops successful our village, for which we necessitate funds and infrastructure. We tin collaborate with creation and plan students to make caller plan forms. It volition beryllium mutually beneficial,” helium believes. 

Tribal creation is laborious, whether it is casting metallic done the lost-wax technique, preparing earthy pigments, oregon weaving bamboo by hand. Recognition unsocial is not enough; sustained livelihood opportunities marque the existent difference. 

An Oraon creator  giving the finishing interaction   to her painting.

An Oraon creator giving the finishing interaction to her painting. | Photo Credit: Special Arrangement

Oraon creator Sumanti Bhagat from Chattisgarh, who is exhibiting canvases astatine the festival, feels that specified events springiness them visibility and knowing of the art-ecosystem successful municipality spaces. Traditionally, Oraon creation was practised lone connected walls and floors, but implicit clip shifted to canvas. The artists gully ideas from the past of the community, their beingness and important events. They usage mud, ungraded and earthy colours. Sumanti, who teaches Oraon creation successful Jharkhand says, “Once I spell back, I volition importune that the students persist and sphere this creation form.”

Rooted successful Nature, assemblage and memory, tribal creation continues to germinate without losing its grounding. The festival offers a accidental not lone to acquisition this richness, but to prosecute with it much directly, done commerce and conversation. 

(Tribes Art Festival is connected astatine Travancore Art Palace, Delhi till March 13)

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