In a country good beyond the Blue Futures: Reimagining Indigo exhibition astatine Hampi Art Labs stands a ample integrative vat, wrapped successful a agleam red-and-black tartan blanket. Night temperatures successful Vidyanagar, the Jindal South West (JSW) township astatine the borderline of which the creation assemblage and residency are situated, driblet to astir 16°C and that vat of indigo is arsenic precious arsenic a babe successful the eyes of each the artists successful attendance.
So overmuch truthful that the archetypal show the visitant encounters at the accumulation is simply a vat of the bluish dye. Meera Curam, the curator of the show, removes the lid with a flourish, allowing america to regard astatine the floating ‘flower’, a coalesced tegument enactment that indicates palmy processing of the dye. The assemblage is air-conditioned against the harsh prima of the time but the vat itself is good insulated, conscionable similar the 1 successful the workshop.
The attraction could beryllium a metaphor for indigo successful the Indian culturescape close now. From the westbound to the eastbound and the southbound to the north, this past dye — predominantly utilized for cloth successful astir of recorded past — is the absorption of caller cultivation, caller innovations and caller applications. Indigo-dyed stone? Done. Indigo-infused metal? Patented. Indigo you tin deterioration arsenic a perfume? So close.

Visitors astatine Blue Futures: Reimagining Indigo
It mightiness beryllium a scope to telephone it the 2nd indigo revolution, but the resurgence of involvement successful the Indigofera tinctoria plant is showing up successful exhibitions specified as Blue Futures, successful textile artworks snapped up by starring collectors, successful laboratories pushing the boundaries of the dye, successful decorator textiles, and yes, successful artisanal crafts arsenic well.
While the simultaneous showcasing tin beryllium enactment down to coincidence, practitioners are alert that it’s been a agelong clip coming. Over the past mates of decades, arsenic capitalist systems of thought and system came nether scrutiny, alternate thinkers person sought retired slower, much mindful and sustainable ways of living. The increasing popularity of earthy dyes is lone 1 of its manifestations.

New Horizons Weftscapes by Bappaditya Biswas(handwoven jamdani successful earthy indigo)

Tapestry by Takuma; (L-R) earthy indigo with yatara miura shibori, and indigo connected fabric with yatara miura shibori and boshi shibori
“This renewed emotion for earthy indigo feels similar a instrumentality to representation — an effort to retrieve our past with care. It is besides a quiescent question backmost towards the earth, and towards our shared consciousness of humanity.”Anuradha SinghDirector of Jaipur-based Nila House, an organisation moving with indigo astatine the intersection of craft, design, sustainability and assemblage empowerment
From increasing and farming the indigo works to fermenting and processing the pigment, each of the processes is needfully meditative and unhurried, a delicate tango of time, skill, learning and nurture. Much of this corpus of expertise is inherited and undocumented, and determination is small authoritative effort to sphere this monolithic cognition base.
Artistic entrepreneurs spot this lacuna arsenic an accidental for an intervention. And, wiser aft centuries of appropriation of Indian trade know-how, they’re acceptable with guardrails for their discoveries. The past is important because, arsenic textile decorator Mayank Mansingh Kaul points out, overmuch of the probe into indigo and, indeed, earthy dyeing, is driven by overseas — particularly Japanese — demand.

Bappaditya Biswas
Reintroduced the indigo works successful West Bengal
A textile designer, palmy businessman, cloth engineer, and chintz artist. Bappaditya Biswas wears galore hats, but the astir caller jewel successful his crown comes from reintroducing the indigo works successful Bengal. “A precise beardown consciousness of oppression and fearfulness is inactive associated with indigo successful eastbound India,” says Biswas, of the erstwhile epicentre of the British commercialized successful the dye successful the 1800s. “In Phulia, they telephone it the ‘evil crop’, they said it ruined the land, they adjacent built implicit the humanities vats.”
Fired by the thought of a dye that could animate a gyration — the nil bidroho (indigo revolt) of 1859 was a landmark peasant question against the utmost cruelty of British planters looking to maximise indigo output — Biswas began researching indigo successful 2006. But it was lone successful 2020 that helium was capable to person Sanjay Pramanik, a Phulia-based maestro weaver for his Byloom label, to turn the plant. “For 165 years, indigo had lone lived successful the imagination. There isn’t adjacent a grounds of the assortment of indigo that grew here,” says Biswas. “We procured the seeds of the Indigofera tinctoria from Tamil Nadu [it’s an aged harvest there], and it took to the conditions truly well. What is besides encouraging is that it helped the locals observe its benefits compared to chemic dyes.”

Bappaditya Biswas successful a tract of indigo
At present, the indigo output is excessively tiny to instrumentality attraction of the demands of Byloom — astir 20% of its accumulation uses earthy dyes — but Biswas puts the Phulia indigo to fantabulous exertion successful the ample handwoven, handspun fabric canvases helium prefers for his meticulously crafted chintz art. “Chintz is besides thing that has been wiped retired [like indigo successful Bengal],” says the entrepreneur with a revivalist’s soul. “Chintz refers to a peculiar plan pattern, yes, but it is besides a technique. I wanted to find retired if it could inactive beryllium done the aged way: with earthy dyes, successful a mordant-resist process.”

Chintz done the aged way, with earthy dyes, successful a mordant-resist process

Biswas’s involvement was archetypal piqued by a ample handpainted chintz from the TAPI Collection (a backstage postulation of textile and creation successful Surat) successful the aboriginal 2000s. He followed it up with a seven-day store with French-Canadian creator Michel Garcia successful 2009. But it was lone during the pandemic lockdown that helium was capable to enactment overgarment to cloth, remaking chintz with foliage, fauna and Vishnu avatars successful earthy dyes. Inspiration comes from puerility memories, calendar art, adjacent holidays successful North Bengal beverage gardens. “It’s each an look of my emotion for textiles,” helium says, refusing to gully lines betwixt his assorted practices. “There are each parts of my full being coming together.”
Kavin Mehta
Uses indigo to dye earthy materials specified arsenic stone
Immersion takes connected caller meaning astatine the Blue Futures show, which tin marque visitors consciousness similar they are successful a bluish dreamscape, oregon successful a fantastic underwater expedition, surrounded by spot-lit, surreal objects of joy. Against the twilight-darkened floor-to-ceiling windows of the gallery, however, 1 artwork draws each eye. It’s a large, astir rectangular chromatic sculpture, etched with ever lighter shades of indigo. Container, arsenic it’s called, is simply a vase made of occidental Indian limestone (wrongly described arsenic sandstone successful the rubric card) and painted with earthy indigo dyes — of which the limestone is besides a component. The stark, evocative enactment gives circularity a full caller nuance.

Container, a vase made of occidental Indian limestone and painted with earthy indigo dyes
A fewer feet distant stands different piece, this 1 untitled. Reminiscent of Dutch graphic creator Escher’s puzzle-like works, it’s besides crafted retired of a limestone artifact — but this 1 is dyed successful a azygous shadiness of indigo, its acheronian throwing into crisp alleviation the glittering embedded silica, invisible successful its earthy achromatic state.

Crafted from a limestone block
Both works are by Kavin Mehta, concern decorator and accidental artist. “I became funny successful indigo arsenic a pupil successful the U.K. erstwhile I was researching products that get amended with age; it was that metamorphosis [think however a brace of jeans reflects the signifier and postures of its wearer] that truly spoke to me,” says Mehta. “Back successful Ahmedabad, I was gathering my plan workplace successful an aged mining hub called Gota, erstwhile I started tinkering with the chromatic around. I learnt from accepted stonemasons, that’s however I started my creation practice. I tried to look astatine chromatic arsenic space, so, Container, for instance, plays with the thought of extent successful an introspective consciousness arsenic well.”

Kavin Mehta
Mehta’s creation brought him successful interaction with Sanjay Lalbhai of Arvind Ltd., 1 of the world’s largest denim manufacturers. Keen to initiate deeper probe into his cardinal dye successful its earthy form, Lalbhai acceptable up the Indigo Art Museum successful Ahmedabad successful 2019 and asked Mehta to caput it, with a peculiar little to discover indigo’s affinities with non-textile materials. Those investigations person led to 20 patents for the museum, including fusions of indigo with aluminium and leather, arsenic good arsenic ongoing creator explorations.
Mehta himself besides works with wood, clay, ceramics and different earthy materials successful conjunction with earthy indigo, a process helium describes arsenic a “dialogue” with his ain vision, with each constituent possessing its ain unpredictabilities. “No chemic bluish gives an creator the scope indigo can. Nothing has ever challenged maine similar indigo — each clip I deliberation I cognize it, it surprises me,” helium says. “As a designer, I physique for longevity, not simply sustainability, and indigo resonates with that philosophy.”

11.11/eleven eleven
Learning to overgarment and people with indigo
That this renewal of involvement successful indigo has legs is wide from the probe being conducted independently into assorted aspects of the dye. Their originators often take to showcase their breakthroughs archetypal arsenic art; commercialisation, they are aware, volition follow. As a portion of the caller Madras Art Weekend, Chennai-based boutique Collage, for instance, exhibited an installation by craft-forward plan marque 11.11/eleven eleven to people their formulation of indigo paste.

Collage and 11.11/eleven eleven at Madras Art Weekend | Photo Credit: Rangaprasad
“Indigo has ever been utilized arsenic dip-dye — 100% earthy indigo cannot beryllium utilized for printing. But we similar to overgarment and people with earthy dyes,” says Shani Himanshu, co-founder of the 16-year-old label, pointing retired that till date, a chemic simplification would beryllium needfully added to earthy indigo to let printing. (This is besides the crushed commonly disposable indigo prints get a atrocious rap for bleeding, rubbing and fading, since the chemic process makes it susceptible to oxygen.)

Shani Himanshu
“The question was, however tin we support indigo successful a reduced signifier naturally. After years of R&D, we discovered the reply successful indigo paste. It uses a earthy binder, which is our intelligence property, and the infinitesimal it reacts with water, it oxidises and turns blue.”
Coming connected the backmost of 2 decades of experimenting with indigo, 11.11/eleven eleven is 1 of the fewer textile enterprises (if not the lone one) to person their ain vats, susceptible of fermenting 5,000 litres of earthy dye successful their New Delhi studio. The probe was aimed astatine ensuring all-round information for the artisans who would beryllium moving with the material, says Himanshu. “We besides judge what you deterioration should respire with you, it should beryllium bully for you,” helium adds. “Indigo is simply a medicinal plant, it has galore beneficial properties.”
The 11.11/eleven eleven installation astatine Collage (first launched astatine their Mumbai store opening past year) encapsulated this participatory thought by displaying tapestries created erstwhile radical walked done indigo paste onto ample canvases, ‘painting’ it, truthful to say, with their feet. Each portion is frankincense unsocial and distinct. This is precisely the tone that, Himanshu hopes, volition beryllium carried guardant arsenic artists, designers and textile practitioners marque the stabilised indigo paste their own.

11.11/eleven eleven at Madras Art Weekend
“Much similar ikat, indigo is simply a mean for america successful India to link with the world. Africa has indigo, arsenic bash different parts of Asia. The adjacent signifier for america arsenic curators is to commencement looking astatine connections that Indian textiles person with different parts of the world, particularly the Asia-Africa paradigm.”Mayank Mansingh Kaul Textile designer, writer and curator

Mayank Mansingh Kaul | Photo Credit: Courtesy the Baldota Foundation
Visalakshi Ramaswamy
Adding bluish to Chettinad’s thenar leafage basketry
Back successful 2000, erstwhile Visalakshi Ramaswamy established the M.Rm.Rm. Cultural Foundation to enactment with the section taste practice of Chettinad, she chose kottan, the woven palmyra leafage handbasket accepted to the region, arsenic her archetypal project. A 4th period and galore different initiatives later, it continues to beryllium the merchandise the Foundation is champion known for. But Ramaswamy is not satisfied.

Visalakshi Ramaswamy
“We started the kottan project to make employment for colony women. Palm is locally disposable but, for astir of the lifespan of the project, we’ve had to usage chemic colours arsenic they were the lone option,” says Ramaswamy. “A fewer years ago, we started experimenting with earthy dyes, they seemed much successful keeping with the ethos of the earthy material. While we’ve been capable to nutrient 28 colours with earthy dyes, indigo has proved to beryllium a challenge.”
About a twelvemonth ago, the Foundation reached retired to the Indigo Art Museum for help. “We thought it would beryllium large to instrumentality it up due to the fact that the leafage has immoderate inherent properties we hadn’t worked with,” says Kavin Mehta, the pb connected the probe project. “They wanted to show indigo basketweaves astatine their 25th day exhibition, and we managed to deliver. But we knew we could amended the process. Developing an easy-to-use kit for the artisans, to my mind, is an adjacent bigger challenge.”

Dyeing thenar leaves | Photo Credit: Courtesy M.Rm.Rm. Cultural Foundation
The main contented Mehta’s eight-member R&D squad faced with the thenar leafage was its hydrophobic nature: arsenic a water-proximate plant, it is people resistant to moisture, which includes the indigo dye. The adjacent measurement was preparing a dye vat with affinities towards the earthy material. After the washing and the last fixing, the leafage besides needs to clasp its earthy malleability for the weaving. Though the squad has achieved immoderate occurrence with the colour, the artisans are not blessed with the brittleness of the indigo-dyed leaf.
But Mehta is not astir to springiness up either. And so, hopefully immoderate time not excessively acold successful the future, the thenar leaf kottan, in summation to the yellows, greens, reds and blacks it is already disposable in, volition besides crook a superb blue.

Kottan weavers astatine work | Photo Credit: Catherine Karnow
Ally Matthan
Making an ‘earthy, dense and green’ indigo perfume
In 2019, entrepreneur Ally Matthan was successful an IIM-Ahmedabad classroom, trying to conceptualise a perfume project. “Every azygous thought I enactment retired was scuttled. Anchal Jain, co-chair of the Creative and Cultural Businesses Programme, kept urging maine to look within,” she remembers. “By then, I was profoundly embedded successful the indigo assemblage done textiles [as laminitis of the research-driven Registry of Sarees]. And I deliberation that’s what led to my experiments with the indigo works for a perfume.”

Ally Matthan | Photo Credit: Chaitali Paranjape
A postgraduate of ISIPCA (Institut Supérieur International du Parfum, de la Cosmétique et de l’Aromatique Alimentaire), Versailles, Matthan believes fragrance is simply a mode for her to “sensorially recognize the extent and psyche of indigo”. She explains, “In the Indian strategy — think attars — the process of extraction is precise antithetic from modern methods. The connection reflects it too; the indispensable oils [derived done steam distillation] are the rooh, the soul.”
Over the lockdown years, Matthan started increasing her ain indigo connected the outskirts of Bengaluru and has, since then, experimented steadily to get astatine its cleanable aromatic representation. “Different harvest cycles have, astatine antithetic times, fixed america antithetic extractions — that is wherefore we person spent truthful agelong successful development,” she says, naming Ashok Siju of Jeevan Indigo, Kutch, and Jesus Ciriza Larraona of Colours of Nature, a earthy dye location successful Auroville, arsenic her mentors done the process. “I similar moving with the roots and stem of the works — the leaves nutrient a scent that’s akin but not the aforesaid — and blend the indispensable oils frankincense extracted with different ingredients to supply the implicit indigo experience, the closest reflection of my ain immersion successful indigo.”
Ask Matthan to picture the fragrance — scheduled to rotation retired successful the adjacent 4 to 5 months — and the adjectives rotation disconnected her tongue: earthy, woody, amber, dense and green, portion besides being humid and wet. “I besides think, arsenic overmuch arsenic determination is lightness astir indigo, there’s besides a darkness,” she says. “Indigo is not a fragrance by itself, it comes with a discourse and a subtext. If the colour is its personality, I consciousness the fragrance is its soul.”
Blue Futures: Reimagining Indigo volition beryllium connected amusement astatine Hampi Art Labs till January 28, 2026.
The writer and exertion is based successful Bengaluru.

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