Benaras follows its ain unsocial rhythm. At sunrise, the Ganga comes live with the gentle lifting of the mist, arsenic the boats criss-cross its waters, hundreds of seagulls flutter supra the aboveground and radical stitchery on its ghats. By dusk, the stream quietens, turning into an expanse of varied hues of the nighttime , occasionally illuminated by the flicker of the floating diyas. Within this eternal rhythm of religion and time, the Sankat Mochan Sangeet Samaroh has evolved implicit a century.
As nighttime deepens, each roads starring to the Sankat Mochan temple turn heavy with traffic. Wading done them is simply a challenge. But erstwhile you yet measurement into the temple, the satellite seems to pause. Melody and bushed capable the air, blending seamlessly with chants and prayers.
Though the Samaroh takes spot wrong the hallowed precincts of a 16th-century temple, founded by Tulsidas aft his imaginativeness of Hanuman, it is not simply a devotional gathering. Initially conceived arsenic a humble taste offering, it sought to observe the philharmonic psyche of the past metropolis and supply a level for Benaras’ musicians. “My gramps launched it, and it was aboriginal carried guardant by my father; and now, I proceed aft becoming a prof astatine the Banaras Hindu University, I took connected the work of nurturing it,” says curator and organiser Vishwambhar Nath Mishra,, who belongs to the lineage of Sant Tulsidas and is popularly known arsenic the Mahant.

Pt. Sajan Mishra performing with lad Swaransh | Photo Credit: Ravi Deo Mishra
Over the years, the Samaroh has evolved into 1 of the country’s astir distinctive euphony festivals, shaping Benaras’ individuality arsenic a captious spot of Hindustani classical music.
By framing performances arsenic haaziri — an enactment of marking attendance successful Hanuman’s durbar — the festival infuses euphony with spiritual gravitas. “This not lone deepens the musicians’ engagement with their creation but besides draws the assemblage into an immersive acquisition wherever devotion and classical euphony converge. Beyond serving arsenic a cherished signifier for legendary artistes, the Samaroh besides supports section endowment and sustains gharana traditions. More importantly, it democratises entree to classical euphony by opening its doors to all, escaped of charge,” says the Mahant, a skilled pakhawaj subordinate himself, who often accompanies musicians astatine the Samaroh. With a gentle smile, helium adds, “To clasp the essence of the festival, it is important to recognize dependable much arsenic an artiste and a rasika than arsenic an orgniser.”
That pulse comes live passim the five-day festival held each April. Devotees beryllium astir the sanctum reciting the Hanuman Chalisa, portion euphony lovers inhabit the full courtyard, listening done the nighttime to vocalists and instrumentalists. Some successful the assemblage doze disconnected connected the dhurries, yet garbage to permission till the past enactment fades into the early-morning aarti. For many, similar the students from the euphony departments of Banaras Hindu University and Allahabad University, staying awake done each 5 nights of the Samaroh has go an yearly ritual. “This is the champion applicable acquisition successful euphony that we tin get, and arsenic learners we can’t spend to miss it,” says Shraddha Sharma. “Taking selfies with my favourite artistes is simply a indispensable too,” she laughs. Her friend, Abhishek Pandey, joins in: “The radical of Benaras are known for their heavy emotion of classical music, which is woven into their mundane life. Even those who whitethorn not grasp the finer nuances of raag and taal inactive link with its affectional resonance. After all, the Benaras gharana is among the astir influential traditions successful Hindustani music.“

Prof. Vishwambhar Nath Mishra with Pt. Ulhas Kashalkar astatine the festival. | Photo Credit: Ravi Deo Mishra
The speech trails disconnected arsenic the students spot Mehtab Ali Niazi. As the young and talented sitarist, accompanied by the dynamic tabla artiste Ishaan Ghosh, rises from the signifier aft a riveting 90-minute rendition of raag Jaijaivanti, the temple courtyard erupts successful a outcry of ‘Har Har Mahadev’. Mehtab responds with a lukewarm namaskar — the speech embodies the inclusive tone of the Sankat Mochan Sangeet Samaroh. “This emotion is embedded successful the city’s galore names — Kashi, Benaras and Varanasi. The assemblage present has ever been unfastened successful its appreciation of art, irrespective of an artiste’s faith,” points retired the Mahant.
The Benaras‑based Ustad Bismillah Khan became 1 of the earliest Muslim artistes to execute astatine the Samaroh. His shehnai resonated done the temple, breaking barriers and mounting a precedent for inclusivity. His information remains a defining infinitesimal successful the festival’s history. Over the years, the Samaroh has grown into a congregation of musicians from crossed the country, welcoming adjacent those from the Carnatic tradition. “There was a clip erstwhile women artistes were not allowed to participate, but that is nary longer the case. I besides made it a constituent to invitation dancers practising divers styles. The intent was to spot creation astatine the core, with nary favoritism of gender, religion oregon form. What matters present is the sincerity and that is what keeps the Samaroh alive,” says the Mahant.

Kaushiki Chakraborty astatine the Samaroh | Photo Credit: Ravi Deo Mishra
“It’s not hard for specified a festival to prolong its momentum, arsenic the temple mounting lends an other vibration and energy. I americium the 3rd procreation successful my household to execute here, truthful it is profoundly special,” says Ishaan Ghosh, grandson of tabla maestro Nikhil Ghosh and lad of tabla exponent Nayan Ghosh. “Indian classical euphony has ne'er allowed religion to go a bound — Bade Ghulam Ali Khan sang ‘Hari om tat sat’ and Pt. Jasraj rendered ‘Allah tero naam’. As musicians, we indispensable recognise and observe this diagnostic of art.”
Ishaan adds that what is astir heartening is the ample turnout of youngsters each twelvemonth astatine the festival. Their presence, helium notes, is impervious that classical euphony is the astir modern signifier of creation due to the fact that it tin be improvised and is adaptable. “Also, the open‑minded mahaul (ambience) present allows them to bask it astatine their ain pace, without being judged astir their cognition level.”

Mehtab Ali Niazi and Ishaan Ghosh during a post-concert conversation | Photo Credit: Ravi Deo Mishra
The festival closes connected a euphoric enactment with Pt. Sajan Mishra’s (of the iconic Rajan–Sajan Mishra duo) haazri. It is astir 6.30 a.m. erstwhile helium takes the stage, and the assemblage has been waiting to perceive the lad of the soil. Born and raised successful Benaras, the brothers made their debut successful 1968 astatine this precise Samaroh. Accompanied by lad Swaransh connected vocal support, Pt Sajan Mishra demonstrates however taalim (training) and tehzeeb (values) tin sphere euphony successful its astir purest and pious form. At each crook of phrase, and with each emergence and autumn of note, the assemblage responds with chants of ‘Har Har Mahadev’. As the summertime prima grows brighter, the seasoned casually pulls retired his coolers from a bag, slips them on, and continues with a bid of requests from the audience.

The Sankat Mochan temple successful Benaras. | Photo Credit: Special Arrangement
Once Pt. Sajan Mishra gets disconnected the stage, helium is surrounded by a immense fig of admirers. “It’s a blessing to beryllium connected to this city. Yeh prem ki nagari hai (this is simply a metropolis of love). Since the clip of the Vedas, it has been the superior of civilization and literature. But the city’s euphony genuinely began successful kirtans, and past evolved nether the power of people traditions. It became the lone gharana wherever vocal, instrumental and creation forms co‑exist. Unfortunately, implicit clip it came to beryllium associated lone with thumris and Kathak. My member Rajan and I strove hard to revive its khayal contented and contiguous to the satellite its astir treasured works,” says the Delhi-based Pt. Sajan Mishra, choosing to beryllium since helium had not slept the nighttime earlier owed to the early-morning concert. “Age tin beryllium a deterrent erstwhile keeping to a choky schedule, but I would similar to support flowing resiliently similar the Ganga,” helium says with a glint successful his eyes.

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